Augustus is not nude, however, and the details of the statue carry political mes- sages. ![]() Augustus's head, although depicting a recognizable individual, also emulates the idealized Polykleitan youth's head in its overall shape, the sharp ridges of the brows, and the tight cap of layered hair. 5-40) but with his right arm raised to address his troops in the manner of the orator Aule Metele (FIG. 7-20) portrays Augustus as general, standing like Polykleitos's Dorypho- ros (FIG. 7-27) of the emperor found at his wife Livia's villa at Primaporta (FIG. But the Aegean fresco's white sky and red, yellow, and blue rock formations do not create a successful illu- sion of a world filled with air and light just a few steps away.ĪUGUSTUS AS GENERAL The portraits of Augustus de- pict him in his many different roles in the Roman state (see "Role Playing in Roman Portraiture," page 198), but the models for many of them were Classical Greek statues. 4-9) from Thera offers a similar wrap- around view of nature. Among the wall paintings examined so far, only the landscape fresco (FIG. At Pri-maporta, the artist precisely paintedthe fence, trees, and birds in theforeground, whereas the details ofthe dense foliage in the backgroundare indistinct. To suggest re-cession, the painter mastered an-other kind of perspective, atmo-spheric perspective, indicating depthby the increasingly blurred appear-ance of objects in the distance (see"Linear and Atmospheric Perspec-tive," Chapter 21, page 567). The only archi-tectural element is the flimsy fenceof the garden itself. ![]() There, imperial painters decoratedall the walls of a vaulted room withlush gardenscapes. 7-20) comes from the villa of the emperor Au- gustus's wife Livia (FIG. The ultimate example of a Second Style picture- window mural (FIG.
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